how images play
Saturday, December 27th, 2008I often think that being a painter would in some respects be easier than being a writer. It’s not true, of course, just a case of thinking the grass has to be greener on the other side. Also, I’ve always wanted to be able to draw.
Pictures say a thousand words, and recently I’ve been looking hard at pictures to glean the words out of them. Every Tuesday I’ve been going to the local museums and spending over an hour in one room to really take in all the detail laid into each painting.
Those thousand words are in the language of symbols, ready to be examined, interpreted, and re-interpreted to make cohesive sense to the viewer. The color of a shirt, the placement of figures, the perspective, even the negative spaces of an image can all be interpreted, either within the realm of universal symbols or within the realm of the personal (i.e., myth vs. dream).
I began this exercise with the work of my favorite online artist, Thalia Took. She did these amazing drawings that she calls “Dream Cards.” Ms. Took encourages personal interpretations of the cards, so I’ve been seeing what the characters have to say to me. I am doing this in a way to prepare for listening to what characters have to say to me.
The first card I worked with was Pevensal.
Pevensal looks like a purpose brought him to the place that he is at, but having arrived, he has forgotten what that purpose was. Standing in the circle before the tree of life in the garden of the heavens, he has nothing to tell God but that he does not have any answers. How will God judge Pevensal? Is the journey the answer?
Pevensal speaks:
If not for you my name would be lost to the world. But perhaps it would be better that way, lost. I only took this quest because it seemed the only thing to do. I did not choose it, I did not want it. It was thrust upon me and I am a victim of the effects it has had on my life. I am here as you wish me to be, by the tree of life. My quest is finished. I am free to live my life free of it. What do I do now? Will you tell me?
Poor Penvensal. The blue hues that he wears are wisdom, the knowledge of the way the world spins and turns us. But he cannot see the truth that he knows, distracted by the sun-yellow of his tunic, rounded by the black of negativity. He knows yet refuses to see. He sleeps to the truth, denies the sacred that is right there for him to see. What Pevensal doesn’t realize is that nothing stops, no one thing for another. There is no such thing as putting life on hold–for every minute of life is life–there is no other. Life is only lived now, not after or before-what you do now is your life. Pevensal’s confusion comes from the perception of an ending–the end of his quest. What to begin next? But life still rolls on through the confusion. You can shuffle it around and direct it, but only as it is happening.




